BG3 & The Physics of Quality
BioGeometry's Central Reference for Balance
At the heart of BioGeometry is BG3 — three distinct qualitative components that, when they occur together, form its central reference for balance.
To understand how these qualities were identified and why they matter, we first need to look at what Dr Ibrahim Karim calls the Physics of Quality.
The Physics of Quality
The Physics of Quality examines how qualities emerge through relationships, rather than considering each influence in isolation. It provides BioGeometry with a way of identifying and measuring these qualitative relationships and understanding how they can find expression across different forms and scales.
Extending the Range of Perception
Our experience of the world is shaped by the information our senses are able to detect.
Take visible light, for example. What we perceive as colour occupies only a tiny band of the electromagnetic spectrum. Beyond the range of human vision lies a vast spectrum of electromagnetic radiation that is present but invisible to the human eye.
Our senses therefore reveal only part of what is physically present. Scientific instruments extend that range by measuring phenomena we cannot directly perceive.
BioGeometry approaches measurement from a different perspective. Its specialised tools are used to investigate qualitative effects in relation to living systems, placing the response of life at the centre of the measurement.
Within BioGeometry, the term energy refers to the ability to produce an effect, with particular attention given to the quality of that effect and its relationship with life.
This extends the enquiry beyond the normal perceptual range of the physical senses, providing a way to investigate subtle-energy qualities and their effects.
The qualitative colour scale used in French Physical Radiesthesia
Some of the terminology used in BioGeometry has its roots in the colour scale of French Physical Radiesthesia, developed by researchers including Léon de Chaumery and Antoine de Bélizal. Names such as Green, Ultraviolet, and Negative Green designate qualitative bands within this system. Through the interchangeability of scale, these qualities can find resonant expression through different mediums rather than referring only to physical colour.
Ibrahim's ancient Egypt
The Search for a Balancing Quality
Dr Karim's search was influenced in part by the work of the Russian researcher Scariatin, who wrote under the pseudonym Enel. His investigations in Egypt had identified a quality within the Horizontal Negative Green range at the tombs of Christian saints.
His research across ancient sacred sites and natural locations revealed recurring qualitative characteristics that became central to the development of BioGeometry.
Horizontal Negative Green was consistently identified at these sites — but he found that it alone did not account for the full range of qualities present.
This led him to search for further components. After years of research, he identified two additional qualities that occurred alongside Horizontal Negative Green. These three became known as BG3 — the BioGeometry Three.
Together, these three qualities form the central reference for balance within BioGeometry, associated with what Dr Karim calls the One Harmonizing Subtle Energy Quality.
The Three Componenets of BG3
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Horizontal Negative Green (H-NG) — A centring and stabilising quality identified across the natural and built environments Dr Karim studied. The underlying phenomenon, known as negative green, was first named by researchers Chaumery and de Bélizal, who identified it as a type of carrier wave associated with certain geometric forms found in sacred architecture, such as pyramids and domes.
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Higher Harmonic of Ultraviolet (HHUV) — Associated with clarity, organisation, and cohesion, HHUV was also linked by Dr Karim with the qualities of dawn. Through interchangeability of scale, it has a resonant relationship with physical ultraviolet while representing its higher harmonic expression within BG3.
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Higher Harmonic of Gold (HHG) — Linked to vitality and enrichment, HHG takes its name from gold and its longstanding use in sacred and religious art. Dr Karim describes using physical gold as a resonant reference to identify its higher harmonic expression, known within BioGeometry as the Higher Harmonic of Gold.
The BG3 Balancing Chord
Each of the three BG3 components has its own qualitative characteristic. Together, they form the balancing chord known as BG3.
From Discovery to Practice
Identifying BG3 gave Dr Karim a qualitative reference that could be applied to design. His research into harmonics had already explored how qualities could find expression through number, proportion, angle, form, colour, sound, movement, and orientation. With BG3 established, these relationships could be evaluated according to their resonance with the qualities identified across the locations he studied.
In BioGeometry, form is understood not simply as decoration or symbolism, but as capable of interacting with the qualitative characteristics of its surroundings. Precise geometric relationships can therefore become a practical means of connecting with and activating BG3 within an environment.
BG3 became the central reference for evaluating and working with qualitative balance in BioGeometry, extending beyond architecture into environmental projects, agriculture, design, technology, and contemporary living spaces.
BioGeometry Environmental Home Solutions applies this approach to each property individually — working with the conditions already present, identifying where harmonisation can be most effectively introduced, and using BioGeometry methods to activate BG3 throughout the home.